{"id":15476,"date":"2026-09-19T15:43:00","date_gmt":"2026-09-19T15:43:00","guid":{"rendered":"https:\/\/mostradecinemasafricanos.com\/?p=15476"},"modified":"2026-09-25T15:45:48","modified_gmt":"2026-09-25T15:45:48","slug":"formacao-na-mostra-de-cinemas-africanos-debate-crioulizacao-das-telas-e-narrativas-contracoloniais-no-audiovisual","status":"publish","type":"post","link":"https:\/\/mostradecinemasafricanos.com\/en\/formacao-na-mostra-de-cinemas-africanos-debate-crioulizacao-das-telas-e-narrativas-contracoloniais-no-audiovisual\/","title":{"rendered":"Forma\u00e7\u00e3o na Mostra de Cinemas Africanos debate criouliza\u00e7\u00e3o das telas e narrativas contracoloniais no audiovisual"},"content":{"rendered":"

Encontro virtual reuniu participantes de diferentes regi\u00f5es para discutir as formas como o cinema africano rompe com modelos ocidentais.<\/em><\/p>\n\n\n\n

Por: Anna Luiza Santos <\/p>\n\n\n\n

\"\"
Jusciele Oliveira (foto de Mbar Diop)<\/figcaption><\/figure>\n\n\n\n

O \u00faltimo s\u00e1bado (19) foi dia de um encontro especial para quem estuda e quer se aprofundar em um conceito fundamental da produ\u00e7\u00e3o audiovisual do continente africano: a criouliza\u00e7\u00e3o das telas. A forma\u00e7\u00e3o, ministrada pela pesquisadora Jusciele Oliveira, integrou a programa\u00e7\u00e3o da 9\u00aa Mostra de Cinemas Africanos em Salvador e reuniu participantes de diferentes regi\u00f5es do Brasil e tamb\u00e9m de outros pa\u00edses, como Angola.<\/p>\n\n\n\n

Realizada de forma on-line e gratuita, a atividade partiu das reflex\u00f5es do escritor e fil\u00f3sofo martinicano \u00c9douard Glissant para discutir como cineastas africanos combinam g\u00eaneros, refer\u00eancias culturais e lingu\u00edsticas na constru\u00e7\u00e3o de suas obras.<\/p>\n\n\n\n

A proposta tamb\u00e9m buscou ampliar o olhar para al\u00e9m da leitura que costuma associar essas cinematografias prioritariamente \u00e0 pol\u00edtica e \u00e0 hist\u00f3ria. Embora essa perspectiva seja fundamental para compreender parte importante dessa produ\u00e7\u00e3o, ela nem sempre contempla a variedade de linguagens e experi\u00eancias presentes no cinema do continente. Nesse universo, o entretenimento ocupa um lugar importante: com\u00e9dias, musicais, filmes de terror e fic\u00e7\u00e3o cient\u00edfica mobilizam humor, fantasia, suspense e imagina\u00e7\u00e3o para estabelecer diferentes formas de rela\u00e7\u00e3o com o p\u00fablico. Ao explorar esses g\u00eaneros, os realizadores reelaboram refer\u00eancias culturais e conven\u00e7\u00f5es narrativas, aproximando suas obras de situa\u00e7\u00f5es cotidianas e, ao mesmo tempo, abrindo espa\u00e7o para outros modos de imaginar e contar hist\u00f3rias.<\/p>\n\n\n\n

Para Jusciele, conhecer esse processo tamb\u00e9m \u00e9 uma forma de romper com a ideia de que a produ\u00e7\u00e3o audiovisual africana apenas repete modelos ocidentais de fazer cinema.<\/p>\n\n\n\n

\u201c\u00c9 importante para que voc\u00eas vejam que os cinemas africanos n\u00e3o est\u00e3o apenas reproduzindo f\u00f3rmulas de Hollywood ou da Europa. A \u00c1frica \u00e9 um continente que produz conhecimento org\u00e2nico, sem precisar copiar o Ocidente e suas refer\u00eancias.\u201d<\/p>\n\n\n\n

Ao longo da forma\u00e7\u00e3o, os participantes conheceram como essa mistura de influ\u00eancias pode criar novas possibilidades de representa\u00e7\u00e3o, atravessando g\u00eaneros, linguagens e diferentes repert\u00f3rios. Nesse movimento, a criouliza\u00e7\u00e3o surge como uma forma de colocar a pluralidade em contato e abrir caminho para novas express\u00f5es.<\/p>\n\n\n\n

\u201cToda produ\u00e7\u00e3o \u00e9 uma produ\u00e7\u00e3o pol\u00edtica e intencionada. E esse processo de criouliza\u00e7\u00e3o resulta em outras possibilidades e interpreta\u00e7\u00f5es. Ela n\u00e3o apaga as diferen\u00e7as, mas as transforma em um corpo vivo que nunca quis caber nas caixinhas classificat\u00f3rias da cinematografia\u201d, destacou.<\/p>","protected":false},"excerpt":{"rendered":"

Encontro virtual reuniu participantes de diferentes regi\u00f5es para discutir as formas como o cinema africano rompe com modelos ocidentais. 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