{"id":15120,"date":"2026-08-22T02:03:10","date_gmt":"2026-08-22T02:03:10","guid":{"rendered":"https:\/\/mostradecinemasafricanos.com\/?post_type=portfolio&p=15120"},"modified":"2026-08-22T03:04:19","modified_gmt":"2026-08-22T03:04:19","slug":"2026-rio-de-janeiro","status":"publish","type":"portfolio","link":"https:\/\/mostradecinemasafricanos.com\/en\/arquivo\/2026-rio-de-janeiro\/","title":{"rendered":"2026 | Rio de Janeiro"},"content":{"rendered":"
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2026 | Rio de Janeiro<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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10 a 16 de setembro<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Centro Cultural Banco do Brasil (CCBB-RJ)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A Mostra de Cinemas Africanos retorna ao Rio de Janeiro entre os dias 10 e 16 de setembro de 2026<\/strong>, mais uma vez em parceria com o Centro Cultural Banco do Brasil Rio de Janeiro (CCBB RJ)<\/strong>. Em sua 9\u00aa edi\u00e7\u00e3o, o festival apresenta uma sele\u00e7\u00e3o de 24 filmes africanos contempor\u00e2neos<\/strong>, entre fic\u00e7\u00f5es e document\u00e1rios, com sess\u00f5es gratuitas ao longo de sete dias.<\/p>

Neste ano, o cinema de g\u00eanero ocupa o centro da curadoria<\/strong>, atravessada por fic\u00e7\u00e3o cient\u00edfica, suspense, thriller psicol\u00f3gico, com\u00e9dia, a\u00e7\u00e3o, aventura e narrativas sobrenaturais. O foco surgiu do pr\u00f3prio processo de pesquisa conduzido pela curadora Ana Camila Esteves: filmes realizados em diferentes pa\u00edses e condi\u00e7\u00f5es de produ\u00e7\u00e3o come\u00e7aram a se aproximar pela maneira como elaboravam os g\u00eaneros a partir de outras refer\u00eancias, linguagens e est\u00e9ticas.<\/p>

A convidada internacional da edi\u00e7\u00e3o carioca \u00e9 a cineasta burkinab\u00e9 A\u00efcha-Chlo\u00e9 Boro<\/strong>, que apresenta seu primeiro longa-metragem de fic\u00e7\u00e3o, As Desvirtuosas<\/em> (Les Invertueuses<\/em>). Conhecida por uma trajet\u00f3ria consolidada no document\u00e1rio, Boro parte de uma hist\u00f3ria familiar para acompanhar a rela\u00e7\u00e3o entre uma adolescente e sua av\u00f3, que reencontra um amor da juventude depois de quatro d\u00e9cadas vivendo um casamento sem amor.<\/p>

A diretora participa da sess\u00e3o de As Desvirtuosas<\/em> no dia 12 de setembro, \u00e0s 18h<\/strong>, seguida de conversa com o p\u00fablico. O filme tamb\u00e9m integra outra sess\u00e3o da programa\u00e7\u00e3o, em di\u00e1logo com Roupa Suja<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sele\u00e7\u00e3o oficial longas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Curadoria de Ana Camila Esteves (Brasil)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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MEM\u00d3RIA DA PRINCESA MUMBI<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Damien Hauser (Qu\u00eania)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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AS DESVIRTUOSAS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A\u00efcha Chlo\u00e9 Boro (Burkina Faso)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CROCODILO<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Critics & Pietra Brettkelly (Nig\u00e9ria)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CARTUM<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Anas Saeed; Rawia Alhag; Ibrahim Snoopy Ahmad; Timeea Mohamed Ahmed; Phil Cox (Sud\u00e3o)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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GUARDI\u00c3O DOS MUNDOS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Leila Chaibi (Tun\u00edsia)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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O PESCADOR<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Zoey Martinson (Gana)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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TIMPI TAMPA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Adama Bineta Sow (Senegal)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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POR DETR\u00c1S DAS PALMEIRAS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Meryem Benm’Barek-Alo\u00efsi (Marrocos)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LITI-LITI<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mamadou Khouma Gueye (Senegal)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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INDEPEND\u00caNCIA HOJE<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Abdou Lahat Fall (Senegal)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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O DESPERTAR DE ANAM<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Likarion Wainaina (Qu\u00eania)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MOBEMBO (JORNADA)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Eli Maine (RDC)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DIYA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ronaimou Adoumbaye (Chade)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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TODAS AS CORES DO MUNDO<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Babatunde Apalowo (Nig\u00e9ria)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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NOME<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sana N’hada (Guin\u00e9 Bissau)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Sele\u00e7\u00e3o oficial curtas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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BAM BAM<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tolulope Itegboje (Nig\u00e9ria)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MOVIMENTOS CONCRETOS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Fagamou Fama Ndiaye (Senegal)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MINHA HIST\u00d3RIA EM JEBBA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kagho Idhebor (Nig\u00e9ria)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ROUPA SUJA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Medess\u00e8 Agohoundj\u00e8 (Benin)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CABRA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Judy Kibinge (Qu\u00eania)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SUKARI (A\u00e7\u00facar)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Omar Hamza (Qu\u00eania)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00daLTIMA DAN\u00c7A DA VERGONHA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mark Wambui (Qu\u00eania)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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THE DARK SHUJAA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Serge Girishya (Ruanda)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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D\u00cbMM – DEVORADORAS DE ALMAS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A\u00efda Captijn (Senegal)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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PROVA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Herrana Addisu (Gana)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Realizadora convidada<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Chlo\u00e9 A\u00efcha Boro
<\/b>(Burkina Faso\/Fran\u00e7a)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Chlo\u00e9 A\u00efcha Boro<\/b> \u00e9 cineasta, escritora, roteirista e produtora burkinab\u00e9. Antes do cinema, estudou Letras e trabalhou como jornalista na imprensa escrita, no r\u00e1dio e na televis\u00e3o.\u00a0Sua obra documental investiga rela\u00e7\u00f5es de trabalho, fam\u00edlia, heran\u00e7a e poder em filmes como <\/span>France-Aurevoir, le nouveau commerce triangulaire<\/em>, <\/span>Le Loup d\u2019or de Balol\u00e9<\/em>, vencedor do \u00c9talon d\u2019or de document\u00e1rio no FESPACO 2019, e <\/span>Al Djanat, paradis originel<\/em>. <\/span>As Desvirtuosas<\/em>, seu primeiro longa de fic\u00e7\u00e3o, parte de uma mem\u00f3ria familiar para acompanhar duas mulheres diante das escolhas que lhes foram negadas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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FICHA T\u00c9CNICA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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MOSTRA DE CINEMAS AFRICANOS<\/strong><\/p>

Dire\u00e7\u00e3o geral e curadoria: Ana Camila Esteves
Coordena\u00e7\u00e3o de produ\u00e7\u00e3o: Jusciele Oliveira
Produ\u00e7\u00e3o executiva: Silvia Rabello
Coordena\u00e7\u00e3o de Comunica\u00e7\u00e3o: Karlene Rios
Assessoria de Imprensa: Gisele Santana
Coordena\u00e7\u00e3o Redes Sociais: Dara Santos
Identidade Visual: Valentina Garcia
Diagrama\u00e7\u00e3o cat\u00e1logo: J\u00e9ssica Patr\u00edcia Soares
Assistentes de produ\u00e7\u00e3o e de comunica\u00e7\u00e3o: Dara Santos e Thais Lago
Teaser: Ana J\u00falia Ribas
Cobertura audiovisual:\u00a0Blackrec
Coordena\u00e7\u00e3o de cr\u00edtica: Enoe Lopes Pontes
Professora curso: Jusciele Oliveira
Consultoria e servi\u00e7os em acessibilidade: Patr\u00edcia Braille e Silvania Macedo, Lais Lima
Revis\u00e3o do Cat\u00e1logo: Rodrigo Lessa
Mobiliza\u00e7\u00e3o de P\u00fablicos: Cineclube Kalunga Bahia
Produ\u00e7\u00e3o de C\u00f3pias: Aspecto Digital
Coordena\u00e7\u00e3o de tradu\u00e7\u00f5es e legendagem: Rodrigo Lessa
Tradu\u00e7\u00e3o simult\u00e2nea: Vegah Solu\u00e7\u00f5es em Comunica\u00e7\u00f5es Internacionais
Gest\u00e3o Financeira: La\u00eds Lima<\/p>

A Mostra de Cinemas Africanos em Salvador-Bahia tem realiza\u00e7\u00e3o da Ana Camila Comunica\u00e7\u00e3o e Cultura e apoio financeiro do Estado da Bahia, atrav\u00e9s do Fundo de Cultura, Secretaria da Fazenda e Secretaria de Cultura da Bahia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

2026 | Rio de Janeiro 10 a 16 de setembro Centro Cultural Banco do Brasil (CCBB-RJ) A Mostra de Cinemas Africanos retorna ao Rio de Janeiro [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":14781,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio-types":[9],"class_list":["post-15120","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-types-edicoes"],"yoast_head":"\n2026 | Rio de Janeiro - Mostra de Cinemas Africanos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mostradecinemasafricanos.com\/en\/arquivo\/2026-rio-de-janeiro\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2026 | Rio de Janeiro - Mostra de Cinemas Africanos\" \/>\n<meta property=\"og:description\" content=\"2026 | Rio de Janeiro 10 a 16 de setembro Centro Cultural Banco do Brasil (CCBB-RJ) A Mostra de Cinemas Africanos retorna ao Rio de Janeiro [\u2026]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mostradecinemasafricanos.com\/en\/arquivo\/2026-rio-de-janeiro\/\" \/>\n<meta property=\"og:site_name\" content=\"Mostra de Cinemas Africanos\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/mostradecinemasafricanos\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-22T03:04:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mostradecinemasafricanos.com\/wp-content\/uploads\/2026\/08\/MCA-2026-CARTAZ-WEB-RJ.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mostradecinemasafricanos.com\\\/arquivo\\\/2026-rio-de-janeiro\\\/\",\"url\":\"https:\\\/\\\/mostradecinemasafricanos.com\\\/arquivo\\\/2026-rio-de-janeiro\\\/\",\"name\":\"2026 | Rio de Janeiro - 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