{"id":14383,"date":"2026-07-19T19:12:10","date_gmt":"2026-07-19T19:12:10","guid":{"rendered":"https:\/\/mostradecinemasafricanos.com\/?post_type=portfolio&p=14383"},"modified":"2026-08-22T02:54:48","modified_gmt":"2026-08-22T02:54:48","slug":"2026-salvador","status":"publish","type":"portfolio","link":"https:\/\/mostradecinemasafricanos.com\/en\/arquivo\/2026-salvador\/","title":{"rendered":"2026 | Salvador"},"content":{"rendered":"
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2026 | Salvador<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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17 a 23 de setembro<\/i><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sala Walter da Silveira | Cine Lankiana<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Apoio financeiro: Governo do Estado, atrav\u00e9s do Fundo de Cultura, Secretaria da Fazenda e Secretaria de Cultura da Bahia.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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A <\/span>Mostra de Cinemas Africanos<\/b> chega \u00e0 sua 9\u00aa edi\u00e7\u00e3o em 2026 destacando a pluralidade est\u00e9tica do continente a partir de um recorte tem\u00e1tico in\u00e9dito: o cinema de g\u00eanero. Entre os dias <\/span>10 e 16 de setembro, no Rio de Janeiro, no Centro Cultural Banco do Brasil<\/b>, e de <\/span>17 a 23 de setembro, em Salvador, na Sala Walter da Silveira e no Cine Lankiana<\/b>, o p\u00fablico poder\u00e1 conferir uma sele\u00e7\u00e3o de produ\u00e7\u00f5es recentes e in\u00e9ditas no Brasil que transitam pela fic\u00e7\u00e3o cient\u00edfica, com\u00e9dia, musical, romance, aventura e thriller psicol\u00f3gico.<\/span><\/p>\n

Com curadoria da pesquisadora e produtora Ana Camila Esteves, a programa\u00e7\u00e3o busca afastar vis\u00f5es estereotipadas sobre as telas africanas e reunir\u00e1 12 longas-metragens e 10 curtas, entre fic\u00e7\u00f5es e document\u00e1rios, provenientes do Qu\u00eania, Senegal, Gana, Chade, Marrocos, Burkina Faso, Nig\u00e9ria, Sud\u00e3o, Tun\u00edsia, Benin e Rep\u00fablica Democr\u00e1tica do Congo. Temas como o uso da Intelig\u00eancia Artificial no cinema e narrativas urbanas nas grandes cidades africanas tamb\u00e9m estar\u00e3o presentes na programa\u00e7\u00e3o.<\/span><\/p>\n

A mostra contar\u00e1 ainda com a presen\u00e7a de dois convidados internacionais. O cineasta, escritor e diretor su\u00ed\u00e7o-queniano <\/span>Damien Hauser <\/b>participar\u00e1 de debates em Salvador sobre o seu filme <\/span>Mem\u00f3ria da Princesa Mumbi<\/span><\/i> e o uso da Intelig\u00eancia Artificial para criar cen\u00e1rios fict\u00edcios com baixo or\u00e7amento. J\u00e1 <\/span>Chlo\u00e9 A\u00efcha Boro<\/b>, cineasta burkinab\u00e9 conhecida por sua obra no document\u00e1rio, apresentar\u00e1 seu primeiro longa de fic\u00e7\u00e3o, <\/span>As Desvirtuosas<\/span><\/i>, no Rio de Janeiro e em Salvador. Em masterclass gratuita na capital baiana, a realizadora compartilha sua trajet\u00f3ria do document\u00e1rio \u00e0 fic\u00e7\u00e3o, pensando sobre como uma narrativa familiar pode se transformar em cinema sem perder sua dimens\u00e3o \u00edntima, \u00e9tica e pol\u00edtica. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sele\u00e7\u00e3o oficial longas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Curadoria de Ana Camila Esteves (Brasil)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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MEM\u00d3RIA DA PRINCESA MUMBI<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Damien Hauser (Qu\u00eania)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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AS DESVIRTUOSAS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A\u00efcha Chlo\u00e9 Boro (Burkina Faso)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CROCODILO<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Critics & Pietra Brettkelly (Nig\u00e9ria)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CARTUM<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Anas Saeed; Rawia Alhag; Ibrahim Snoopy Ahmad; Timeea Mohamed Ahmed; Phil Cox (Sud\u00e3o)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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GUARDI\u00c3O DOS MUNDOS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Leila Chaibi (Tun\u00edsia)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DIYA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ronaimou Adoumbaye (Chade)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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O PESCADOR<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Zoey Martinson (Gana)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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TIMPI TAMPA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Adama Bineta Sow (Senegal)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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POR DETR\u00c1S DAS PALMEIRAS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Meryem Benm’Barek-Alo\u00efsi (Marrocos)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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LITI-LITI<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mamadou Khouma Gueye (Senegal)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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INDEPEND\u00caNCIA HOJE<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Abdou Lahat Fall (Senegal)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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O DESPERTAR DE ANAM<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Likarion Wainaina (Qu\u00eania)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MOBEMBO (JORNADA)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Eli Maine (RDC)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sele\u00e7\u00e3o oficial curtas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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BAM BAM<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tolulope Itegboje (Nig\u00e9ria)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MOVIMENTOS CONCRETOS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Fagamou Fama Ndiaye (Senegal)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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MINHA HIST\u00d3RIA EM JEBBA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kagho Idhebor (Nig\u00e9ria)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ROUPA SUJA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Medess\u00e8 Agohoundj\u00e8 (Benin)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CABRA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Judy Kibinge (Qu\u00eania)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SUKARI (A\u00e7\u00facar)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Omar Hamza (Qu\u00eania)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00daLTIMA DAN\u00c7A DA VERGONHA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mark Wambui (Qu\u00eania)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"dark-shujaa\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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THE DARK SHUJAA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Serge Girishya (Ruanda)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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D\u00cbMM – DEVORADORAS DE ALMAS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A\u00efda Captijn (Senegal)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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PROVA<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Herrana Addisu (Gana)<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Realizadores convidados<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Chlo\u00e9 A\u00efcha Boro
<\/b>(Burkina Faso\/Fran\u00e7a)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Chlo\u00e9 A\u00efcha Boro<\/b> \u00e9 cineasta, escritora, roteirista e produtora burkinab\u00e9. Antes do cinema, estudou Letras e trabalhou como jornalista na imprensa escrita, no r\u00e1dio e na televis\u00e3o.\u00a0Sua obra documental investiga rela\u00e7\u00f5es de trabalho, fam\u00edlia, heran\u00e7a e poder em filmes como <\/span>France-Aurevoir, le nouveau commerce triangulaire<\/em>, <\/span>Le Loup d\u2019or de Balol\u00e9<\/em>, vencedor do \u00c9talon d\u2019or de document\u00e1rio no FESPACO 2019, e <\/span>Al Djanat, paradis originel<\/em>. <\/span>As Desvirtuosas<\/em>, seu primeiro longa de fic\u00e7\u00e3o, parte de uma mem\u00f3ria familiar para acompanhar duas mulheres diante das escolhas que lhes foram negadas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Damien Hauser
<\/b>(Qu\u00eania\/Su\u00ed\u00e7a)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Damien Hauser<\/b> \u00e9 cineasta e roteirista su\u00ed\u00e7o-queniano. Nascido em Zurique em 2001, come\u00e7ou a realizar curtas-metragens aos sete anos. Estudou cinema entre 2016 e 2020 e trabalhou com filmes publicit\u00e1rios.\u00a0Sua trajet\u00f3ria re\u00fane curtas, videoclipes, pe\u00e7as de teatro, comerciais e longas-metragens, com foco em narrativas de fic\u00e7\u00e3o. Nos \u00faltimos anos, concluiu tr\u00eas longas exibidos em festivais internacionais como Tallinn Black Nights, IFFR Rotterdam e BFI London. Em 2024, fundou a Hauserfilm, produtora por meio da qual desenvolve seus novos projetos.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Atividades formativas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Laborat\u00f3rio Cr\u00edtico com Enoe Lopes Pontes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tsaiba mais<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Masterclass com A\u00efcha-Chloe Boro<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tsaiba mais<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinscreva-se<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Curso cinemas africanos de g\u00eanero<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tsaiba mais<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinscreva-se<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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F\u00f3rum Cr\u00edtica cinematogr\u00e1fica, festivais e cinemas n\u00e3o hegem\u00f4nicos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tsaiba mais<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinscreva-se<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Programa\u00e7\u00e3o expandida<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mostra nos Mal\u00eas \/ Mal\u00eas na Mostra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Mostra no Espa\u00e7o Cultural Alagados<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Mostra na Flipeba \/ Cine Patachoca<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sess\u00f5es Escola com Cineclube Kalunga<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Mostra no Sesi Casa Branca<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tsaiba mais<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cat\u00e1logo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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EM BREVE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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FICHA T\u00c9CNICA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Governo do Estado da Bahia<\/strong><\/p>

Governador \u2013 Jer\u00f4nimo Rodrigues
Secret\u00e1rio de Cultura \u2013 Bruno Monteiro
Secret\u00e1rio da Fazenda \u2013 Manoel Vit\u00f3rio da Silva Filho
Superintend\u00eancia de Promo\u00e7\u00e3o Cultural \/ Suprocult \u2013 Lorena Lais Ferreira Teixeira\u00a0
Diretora Geral da Funda\u00e7\u00e3o Cultural do Estado da Bahia \/ Funceb \u2013 Sara Prado
Diretoria de Audiovisual (Dimas\/Funceb) \u2013 Daiane Silva<\/p>

MOSTRA DE CINEMAS AFRICANOS<\/strong><\/p>

Dire\u00e7\u00e3o geral e curadoria: Ana Camila Esteves
Coordena\u00e7\u00e3o de produ\u00e7\u00e3o: Jusciele Oliveira
Produ\u00e7\u00e3o executiva: Silvia Rabello
Coordena\u00e7\u00e3o de Comunica\u00e7\u00e3o: Karlene Rios
Assessoria de Imprensa: Gisele Santana
Coordena\u00e7\u00e3o Redes Sociais: Dara Santos
Identidade Visual: Valentina Garcia
Diagrama\u00e7\u00e3o cat\u00e1logo: J\u00e9ssica Patr\u00edcia Soares
Assistentes de produ\u00e7\u00e3o e de comunica\u00e7\u00e3o: Dara Santos e Thais Lago
Teaser: Ana J\u00falia Ribas
Cobertura audiovisual:\u00a0Blackrec
Coordena\u00e7\u00e3o de cr\u00edtica: Enoe Lopes Pontes
Professora curso: Jusciele Oliveira
Consultoria e servi\u00e7os em acessibilidade: Patr\u00edcia Braille e Silvania Macedo, Lais Lima
Revis\u00e3o do Cat\u00e1logo: Rodrigo Lessa
Mobiliza\u00e7\u00e3o de P\u00fablicos: Cineclube Kalunga Bahia
Produ\u00e7\u00e3o de C\u00f3pias: Aspecto Digital
Coordena\u00e7\u00e3o de tradu\u00e7\u00f5es e legendagem: Rodrigo Lessa
Tradu\u00e7\u00e3o simult\u00e2nea: Vegah Solu\u00e7\u00f5es em Comunica\u00e7\u00f5es Internacionais
Gest\u00e3o Financeira: La\u00eds Lima<\/p>

A Mostra de Cinemas Africanos em Salvador-Bahia tem realiza\u00e7\u00e3o da Ana Camila Comunica\u00e7\u00e3o e Cultura e apoio financeiro do Estado da Bahia, atrav\u00e9s do Fundo de Cultura, Secretaria da Fazenda e Secretaria de Cultura da Bahia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

2026 | Salvador 17 a 23 de setembro Sala Walter da Silveira | Cine Lankiana Apoio financeiro: Governo do Estado, atrav\u00e9s do Fundo de Cultura, Secretaria [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":14780,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio-types":[9],"class_list":["post-14383","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-types-edicoes"],"yoast_head":"\n2026 | Salvador - Mostra de Cinemas Africanos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mostradecinemasafricanos.com\/en\/arquivo\/2026-salvador\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2026 | Salvador - Mostra de Cinemas Africanos\" \/>\n<meta property=\"og:description\" content=\"2026 | Salvador 17 a 23 de setembro Sala Walter da Silveira | Cine Lankiana Apoio financeiro: Governo do Estado, atrav\u00e9s do Fundo de Cultura, Secretaria [\u2026]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mostradecinemasafricanos.com\/en\/arquivo\/2026-salvador\/\" \/>\n<meta property=\"og:site_name\" content=\"Mostra de Cinemas Africanos\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/mostradecinemasafricanos\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-22T02:54:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mostradecinemasafricanos.com\/wp-content\/uploads\/2026\/08\/CARTAZES-SALVADOR2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mostradecinemasafricanos.com\\\/arquivo\\\/2026-salvador\\\/\",\"url\":\"https:\\\/\\\/mostradecinemasafricanos.com\\\/arquivo\\\/2026-salvador\\\/\",\"name\":\"2026 | Salvador - 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